As conjured by a score of original Irish-inflected songs, written by the original stars of the film Glen Hansard and Markéta Irglová, the atmosphere is partly a busked concert and partly an aching romance that feels both spontaneous and freshly minted. The music, played live by the actors themselves, is alternately beautiful and rousing, and Enda Walsh's script quietly overwhelms with its sense of spirit, sincerity and solitude.
There's no other show quite like it. It's the most unusual, unique and affecting musical you're ever likely to see. It has a spontaneous free-form improvisatory vitality, yet it is also emotionally precise in the understated air of longing that anyone who has ever been in love will recognise instantly. And audiences will fall head over heels in love with the show, too. Once is a genuine one-off which you'll need to see at least once -- but it's also unlikely to be your last time, as you'll want to see it again (and again).
This show wins standing ovations the old-fashioned way: with a love story, great songs, compelling characters and inventive stagecraft. At this point in Broadway history, this feels downright revolutionary- New York Post
An exquisite reminder of theater's singular capacity to transport us- Th Hollywood Reporter
A love affair with music… fresh and unexpected- The New York Times
It's funny, its truthful, it sings- The Times
Wins you over with its simplicity, charm and air of sweet melancholy- The Guardian
Charmingly funny and affecting- The Independent
Grand Opera House York
Not originally intended to be a theatre, the buildings that comprise the Grand Opera House York officially opened in 1902 with Little Red Riding Hood starring Florrie Ford. Since then it has been owned by FJ Butterworth, the Shepherd of Shambles and the India Pru Co. Ltd who spent £4,000,000 restoring the theatre to its former glory in 1987.
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