Now established as a firm favourite in the New Adventures repertoire, the award-winning Sleeping Beauty has enchanted international audiences throughout the UK and across the globe.
Now established as a firm favourite in the New Adventures repertoire, the award-winning Sleeping Beauty has enchanted international audiences throughout the UK and across the globe.
Enter a wondrous world of magical fairies and vampires, where the timeless tale of good vs evil is turned upside-down, creating a supernatural love story that even the passage of time itself cannot hinder. Will Princess Aurora ever find her true love again?
Phenomenal entertainment- LA Times
With an unforgettable score by Tchaikovsky, sumptuous sets and costumes, evocative lighting and masterly storytelling, the beloved fairy tale is brought to life by the uniquely talented New Adventures company.
Get ready to be transported in time from the halcyon days of the late Edwardian era through to the modern day in this dazzling gothic romance.
Find out more about Matthew Bourne's Sleeping Beauty.
There will be a post-show Q&A after the show on Tue 28 Feb for those wishing to remain after the show, with a BSL interpreter available.
Running time - Act 1: 1hr Act 2: 50 minutes (plus 20 minute interval)
The show contains strobe lighting and pyrotechnics. There is also a sacrifice scene.
The show has strobing in the form of rapid fire explosion effects.
The Sleeping Beauty company uses the Flambeau torch effect.
The show uses a custom La Maitre Pyro Confetti cannon (with a half load of black Chinese confetti) which will make a loud bang.
Absolute perfection- The Spectator
Thrills from start to finish. Utterly brilliant.- Sunday Mirror
Extraordinary. Dazzling. Masterful.- Sunday Express
Bristol Hippodrome
The Bristol Hippodrome, the city’s very own West End theatre, opened its doors on 16 December 1912 when the curtain rose for the first time on what was generally agreed to be Oswald Stoll’s most magnificent provincial theatre.
It is a superb example of the grand architecture of the late Victorian era and is one of the masterpieces of design by Frank Matcham, the most eminent theatre architect of his time.
Towards the beginning of the century, the theatre staged a variety of acts as a Music Hall. Since then, and due to the fact that it has one of the largest theatre stages in Britain, The Bristol Hippodrome has established itself on the touring circuit for all major musical productions, thus becoming known as Bristol’s West End Theatre.
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