
Carsen’s exuberant schoolroom staging is well on its way to becoming a Glyndebourne classic, bringing out all the energy and excess in Handel’s first opera for the London stage. The composer’s colourful, tune-filled score – bright with brass fanfares and memorable arias including Lascia ch’io pianga – is one of his finest, sweeping the audience from laughter to love and back again, in this exotic, East-meets-West musical fantasy.