As the curtain rises, dancers in shadow push against a forbidding wall. From that moment on, Akram Khan’s Giselle stuns with powerful images.
As the curtain rises, dancers in shadow push against a forbidding wall. From that moment on, Akram Khan’s Giselle stuns with powerful images.
Mesmerising choreography, atmospheric lighting by Mark Henderson and a towering set by Academy Award winner Tim Yip conjure up a condemned factory and the vengeful ghosts that appear in its shadows.
The ominous score by Vincenzo Lamagna - adapted from the original by Adolphe Adam and performed live by English National Ballet Philharmonic – intensifies the story’s emotional impact.
See the greatest romantic ballet and its story of love, betrayal, and redemption, boldly reimagined.
Please note that we have air management systems on the lower levels of our theatre that can cool the air around you. If you are seated in these levels some visitors have recommended bringing an extra layer of clothing with you.
A triumph. A work of immense confidence and scouring anger- The Independent
It may well rank as a masterpiece of 21st century dance- Mail on Sunday
Staggeringly beautiful and utterly devastating- Daily Express
Bristol Hippodrome
The Bristol Hippodrome, the city’s very own West End theatre, opened its doors on 16 December 1912 when the curtain rose for the first time on what was generally agreed to be Oswald Stoll’s most magnificent provincial theatre.
It is a superb example of the grand architecture of the late Victorian era and is one of the masterpieces of design by Frank Matcham, the most eminent theatre architect of his time.
Towards the beginning of the century, the theatre staged a variety of acts as a Music Hall. Since then, and due to the fact that it has one of the largest theatre stages in Britain, The Bristol Hippodrome has established itself on the touring circuit for all major musical productions, thus becoming known as Bristol’s West End Theatre.
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